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ELCA Worship

Two Days in Denver: We are Church, Together

Today’s post is from Mary Shaima, Diaconal Associate at Bethlehem Lutheran Church in Encinitas, California. 

 

In early October, I cleared the decks for two days to travel to Denver for the first of the “Strong Center, Open Door” events commemorating the 10th anniversary of the publication of Evangelical Lutheran Worship.  The event not only celebrated the anniversary – it also reminded us of our baptismal identity and how that continues to form and re-form us for service in the world through worship.

As a candidate for the roster of Ministry of Word and Service, I’m all about baptismal identity.  My diaconal project explored the question of how worship is one of the primary places God’s Holy Spirit shapes us to be sent to love our neighbor, and that all begins with our baptism.strongcenteropendoordenver

One of the most useful aspects of our time together was the reminder to look and listen for those things that made a deep impression on us.  What might we take back to our own synods or congregations to put into practice?  We heard not only specific ideas, but broad concepts.  Here are just a few:

*Think of baptism not only as promise, but invitation – of/to a future that is already and not yet, just as water exists for us in an already/not yet way.

*What are areas of life together that could benefit from an affirmation of baptism?  Blessing for a mission trip might be one.  Perhaps a couple could incorporate some symbol of baptism into their wedding (Luther has a lot to say about marriage as vocation!).

*Think of the ordo – the order of worship, specifically Gather-Word-Meal-Send, as a skeleton onto which are added a variety of options (muscles, ligaments, fat).  Sometimes the resulting body is full and corpulent (Easter) and other times it might seem lean (Lent).  What seasons or events might suggest different “body types” of worship?

*What do the lessons say?  What images are in the day’s scripture?  How do those relate to our contextual environment?

The plenary sessions (“Strong Center”) and the workshops (“Open Door”) both emphasized the importance (and the fun!) of a deep examination of all the elements of our worship.  They also reminded us that while Evangelical Lutheran Worship is considered the church’s core resource, there are literally countless resources available online from all over the world that can be new wineskins for us.  This is reformation in its truest sense – holding what we know to be true, but holding it in the light of our context today.  We hold together as church our Strong Center in Christ.  What does your Open Door look like?

 

Registration is still available for the final Strong Center, Open Door event in Lansdale, Pa. Nov. 4th and 5th. Go to http://www.elca.org/Our-Work/Congregations-and-Synods/Worship/Evangelical-Lutheran-Worship

 

LiturgyGram: Asperges

 

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Ever wondered, “Why the water?”

Asperges (noun, pronounced ah-SPUR-jes) is the sprinkling of baptismal water upon worshipers as a reminder of their baptism. The ministers who are performing the apserges may use a pine branch or a special sprinkler called an aspergillium (often a bound bundle of straw that resembles a small broom). Sprinkling with water is an option in worship any time the assembly participates in an affirmation of baptism into the death and resurrection of Christ and it is particularly suitable during the Easter season.

To sprinkle the water, a minister dips the branch or sprinkler in the bowl of water then flings it over the heads of the assembly. It is helpful for the minister to use a large arc-type action with the arm rather than just flicking the wrist so that large groups of people can feel the touch of the water at the same time.

Some worshippers find it helpful to trace the sign of the cross on themselves as they are sprinkled as a way of reminding themselves that they have been baptized into Christ’s death and resurrection.

The Lutheran Church Musician as Deacon

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Today’s post is by Scott Weidler, outgoing Program Director for Worship and Music in the ELCA. An excerpt from an article written for CrossAccent, the journal of the Association of Lutheran Church Musicians, it addresses the ELCA’s unification of diaconal rosters which was later approved at the 2016 Churchwide Assembly.

How, Weidler asks, does the concept of deacon as a minister of word and service fit with the vocational self-understanding of Lutheran church musicians?

 

Ministers of Word and Service

Clearly, the phrase “ministers of word and service” is parallel to the common descriptor of pastors as “ministers of word and sacrament.” While some musicians have had a hard time trying to understand how they fit on this roster, the benefit of positioning the ministries included on this new roster, including music, side by side with the Word and Sacrament roster in the ELCA constitution is significant.

Since “word” is also a part of the pastor’s description, our minds go immediately to preaching which is, of course, a significant part of a pastor’s call. For some deacons, preaching may also be a part of their ministry. However, I believe that Lutherans—perhaps more than any other Christian tradition—ought to easily understand musicians as among those who proclaim the word through song. Musicians proclaim God’s word regularly by leading congregational hymns and songs, directing the choir and instrumentalists, and often through teaching and perhaps, in some settings, an occasional sermon.

The “service” half of the phrase is usually further articulated as “service to the world.” Certainly, ministries of justice—like feeding the hungry and raising up the poor—are at the heart of a biblical understanding of diakonia, being a deacon. This focus on ministries in the world, beyond the walls of the church, are an important aspect of this newly emerging roster, just as it should be for all the baptized. Anyone serving in the church (including musicians, rostered or not) will, at their best, understand that their unique ministry has connections to service in the world.

This can, however, start to feel a little distant from our actual work. A document that supports this proposed change includes this statement:

it also includes service in local congregational and other gathered faith community settings through the proclamation of the Word in preaching, leading public prayer, teaching, and leading music as well as through leadership in such areas as education, administration, and youth ministry.

The connections between worship and service are clear in our Lutheran roots, especially through the German word for worship, Gottes- dienst (literally “service of God”), which connotes a multidirectional understanding of service from God to the worshippers, from the worshipers to God, and from the assembly of worshippers to the world.

The ALCM statement on the role of the cantor also affirms this broad understanding of the musician’s ministry: “The cantor’s work is a worthy service to God, God’s people, and the world.” I believe musicians can rightly understand their work as service to the church for the sake of the world.

 

The full article can be found on the ALCM web site.

Racing Through the ELW: a Hymnathon

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Today’s post is from Tim Getz, Director of Music Ministry at Grace Lutheran Church in Palo Alto California.

Last week, in honor of the 10th anniversary of the publication of Evangelical Lutheran Worship, and as the first of a series of Reformation 500-related events in our congregation, I led a “Hymnathon”: a sing-through of one stanza of every hymn in the book! We began (with the first actual hymn, #239) at 9 am on a Saturday, and proceeded through the hymnal in order. We took a 10-minute break every hour, and 40-minute breaks at mealtimes. Saturday evening ended, very serendipitously, at 9 pm with #753, Dona nobis pacem. We picked up where we left off on Sunday afternoon at 1 pm and finished the book at 3:45.

“Hymnathon”: a sing-through of one stanza of every hymn in the book!

About 60 people attended over the course of the event, usually about 8-10 people at a time. Some people stayed only 20-30 minutes, several stayed for several hours, and many others came and went repeatedly as their schedules allowed. I had braced myself for the possibility of being alone at times, and that never happened!

I provided coffee and bagels in the narthex at the beginning of the day, and invited my choir members to bring something to replenish the treat table whenever they happened to attend. There was never a shortage of break-time goodies!

The event wasn’t billed as a fundraiser, but the offering plates were out and I encouraged people to make games out of deciding what their offering would be. Some contributed whenever we sang a hymn beginning with the same letter as their name. Some looked for key words, such as “love” or “peace.” Some tried to guess what number we’d be on at the end of the hour. We ended up collecting about $1200 in offerings!

I encouraged people to make games out of deciding what their offering would be. Some contributed whenever we sang a hymn beginning with the same letter as their name. Some looked for key words, such as “love” or “peace.”

I did very little practicing for the event, although I quipped at one time during the weekend that I’ve been practicing for it for 25 years, since I consider leading assembly song to be the most important aspect of my ministry. I did make a list a week or so ahead of time of about 45 hymns that I had never played before, and looked through those a couple of times in advance. I did most of my playing from the organ, although I had an electric keyboard set up right behind me, and when a song came up that required piano instead of organ, I simply swiveled the opposite direction on the bench to play. I decided ahead of time to make very few verbal announcements, other than just the next number. So many hymns cry out for commentary, but I thought I could not afford the extra time in this context, and I also really wished not to play my hand as to which hymns I like or dislike. Several people commented that they wished we could have sung more stanzas: in some cases because doing one stanza only doesn’t make textual sense, in other cases because they loved the song and wanted to sing more, and in still other cases because they weren’t familiar with the song and wanted to practice. Again, time was the limiter!

People are still saying things a week later like “I felt like I was at a retreat,” and “It was so fun to discover all the different things that are in there.”

There was a lot of curiosity leading up to this event, and a lot of excited conversation during and afterward. People are still saying things a week later like “I felt like I was at a retreat,” and “It was so fun to discover all the different things that are in there.” I’m fortunate that my congregation is pretty adventurous about trying new things, and more than one person told me she enjoyed the sight-reading practice of the hymns she didn’t know!

I believe Evangelical Lutheran Worship  is a wonderful resource and a great gift to the whole Church. The variety and diverse content between its covers is a thrill to explore. It was an honor to engage it in this way and more fun than I ever imagined! I’d definitely consider doing such an event again. Having done it all myself as a personal challenge, I know it’s not an impossible task… although I’d be happy to share the job with another keyboardist or two next time. If you think this is something your congregation might like to try, I’d be happy to answer questions; email me anytime: tim@gracepa.org. I’ll look forward to hearing from you!

 

Worship and Culture: Join the Conversation

Today’s post is from Scott Weidler, ELCA Program Director for Worship and Music.

One of the things I’ve learned in these many years serving on the ELCA worship staff is that perspectives often vary between congregations and parts of the church. For example, a musical setting of the liturgy by Marty Haugen might be called “contemporary” in one congregation but be the most “traditional” music used in another. Worshipers speaking out loud the names of those for whom we pray is common in many communities but would be strange and unexpected in another. The lists can go on and on.

“When differing expectations turn to disagreement, it is a good thing to seize the opportunity to explore the diversity of music, art, and ritual practice within our own church.”

These examples, and a myriad of others, often reflect deeply held practices and traditions. It is a good thing that people have strong feelings and emotions about these things. This may mean that worship is central to their life as a Christian. Sometimes, when differing expectations turn to disagreement, it is a good thing to seize the opportunity to explore the diversity of music, art, and ritual practice within our own church, engage in healthy conversations and discover a creative curiosity of others and their ways to worship.

Recent arrivals at a church mailbox near you!

Recent arrivals at a church mailbox near you!

Can We Talk: Engaging Worship and Culture is a small booklet, a study guide of sorts, that has recently been mailed to all ELCA congregations as an encouragement to join this journey of discussion and experience about how worship and culture engage one another, and how we, God’s people, engage this sometimes challenging, but important, topic.

Drawing on the wisdom from the Nairobi Statement on Worship and Culture from the Lutheran World Federation in the mid-1990s, Can We Talk provides contemporary commentary on the statement, along with suggestions on how to use this material in an engaging and helpful way in your congregation.

This is an exciting and timely topic. We hope that your congregation will dig in and join the conversation.

If you did not receive the paper copy in the mail, do not worry! Can We Talk is easily accessible at www.elca.org/worship. Click on the Can We Talk link to download the booklet. Even if you received the paper copy, you’ll want to get this electronic version so the many links to examples will be active.

Two More Strong Center, Open Door Events this Fall

 

This October and November, join Susan Briehl, Matt James, Daniel Schwandt, Kevin Strickland and Scott Weidler in exploring the core foundations and new possibilities of the ELW family of resources. Strong Center, Open Door is two days of worship, workshops, music and conversation designed for everyone who plans worship in a Lutheran setting. Workshop topics range from “Worship as Faith Formation” to “Seasonal Worship Planning” and from “Navigating Sundays and Seasons” to “Singing the Word of God.”

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Strong Center, Open Door is designed to give you experiences and tools to take home and share with your own worshipping community. Registration is open for two remaining locations: Minnesota (October 14-15, Rochester) and Pennsylvania (November 4-5, Lansdale). The cost is $40 per person including lunch both days. For full information and to register, go to the ELCA web site.

Come explore some of the many ways your congregation can engage Lutheran worship today!